Everything Happens in the

Kitchen: Interview with Cristina

Poelk of Soft Servings.

In the latest installment of our SPACES series, we collaborated with interior designer Łukasz Staniewski of nova studio, who explored modularity not as a system of parts, but as a way of thinking. Across a series of distinct but connected configurations, Staniewski reimagined the TERMINO framework through his signature language: architectural clarity softened by warmth; restraint offset by material richness.

"For me, everything has always

happened in the kitchen. It's such a warm place, quite literally, but

also more emotionally

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An Aesthetic of Stillness

Known for his elegant, almost monastic interiors, Staniewski brings that same sensibility here—an attention to negative space, a preference for muted tones and elemental textures, and a belief that calm is something you can build. The kitchen modules, in their brushed Aluminium finish, form geometric islands that feel neither cold nor ornamental. They sit in quiet dialogue with their surroundings—anchored, but open. Walls clad in dark wood add texture and depth, gently breaking the continuity of the pale render. Light, when it enters, is treated with reverence: diffused through tall gauze curtains or captured in the gleam of a copper light fixture recessed into the wall.




"The perfect item is something

you want to display, look at, 


and also want to use every day.”

I was then curious to hear more about Cristina's relationship to cooking.

"I actually had a conversation with a friend who's also a foodie about when you have a flu and people offer to cook food for you, to help you out. We agreed that we actually don’t find it much of a relief, because cooking already is the ultimate remedy."

"When I go home, on a regular day, I have this half an hour of just wind down that happens while I cook, and this is a sacred moment for me. Chopping is a meditation process. When I have more time to spend, I like to experiment with long-term cooking such as baking, fermenting or pickling. It’s very rewarding to see food “grow” too."

An interior-obsessed collector of kitchenware, I was eager to hear what makes the perfect kitchen object to Cristina and how she goes about finding them.

"The perfect item is something you want to display, look at, and also want to use every day. Those are the nicest types of objects for me. In terms of specific ones that I cherish most are those that I have had an obsession with for many years and which finally make it into my home."

I was very curious if Cristina held an ideal future for societal relationships to kitchens.

"If you look at the past of how really famous architects have integrated the kitchen into their floor plans, it was kind of always the smallest, most neglected part. And I want to enter an era where the kitchen gets more attention, where it’s the centre of a home  n the past few years, people really started to care for the aesthetics of their kitchens, but I would like to push it even more and see how this can be the perfect space to encourage people to cook more, to nourish themselves more, to develop an interest in cooking. Even if they don't like to cook, let the kitchen still be a space that is beautiful enough for you to want to spend time there. I think that would be the ultimate goal."

When we worked with Cristina a few weeks ago on her stunning interior concept, it was clear that she deeply understood the sensibilities of TERMINO. I was interested then to hear how she herself might articulate our overlaps in values.

"What's really interesting and genius is that you can move with it, or you can even rearrange it if your needs change. That's something that no one really thinks about. When you build kitchens, it's like you design a kitchen, and that's it. You can't build and rebuild kitchens if they're made of wood, for example, because the material doesn't withstand the complications of moving often."

"I think we're completely aligned on the aesthetic approach of creating a kitchen space. The modules are so beautiful and the finishes are so pristine. And I've always had a big love for stainless steel. You can put cold and hot things on it without damaging it. So the durability aspect of the materials is something I really identify with."


@cristinapoelk

@softservings@ewan.runescape


@lola.rare
@mathildlaw

Thank you to Cristina for the beautiful interior space you designed for us. You can read the full article about it below, as well as follow Cristina and Soft Servings on Instagram.

Interview by Ewan Waddell.
Header photograph by Mathilda Werngren.
Interior space rendered by Laura Dauby.